While dual-wielding weapons, shooting in opposite directions is as simple as aiming at one target, holding down ZL and then aiming at another target. However, I did eventually figure out that much of this frustration can be mitigated by jumping, and then triggering focus once your trajectory is already established.īeyond this, stringing together a combo of wall jumps, kicking a dead goon’s viscera at another to-be victim, while ricocheting bullets off a frypan into several other baddies feels incredible. While this is absolutely not a criticism, this weight leads to an adjustment period where you enact a trial-and-error approach to figure out what jumps and manoeuvres are possible.Įven during the late-game stages, I misjudged jumps and fell into death-inducing chasms because jumping in slow-mo didn’t cover as much territory as expected. Not quite Arthur Morgan of Red Dead Redemption 2 heavy, but heavy nonetheless. One of the first things you notice in the game’s opening moments is that your mysterious protagonist feels deliberately heavy to control. My Friend Pedro feels fantastic to play – for the most part. The first time diving through a window, guns blazing while time inches slowly forward – my word – it conjures a sense of aesthetical and mechanical zen matched by few other games. Very early on, you’re given the means to shoot through swathes of goons, including the Max Payne -esque ability to slow down time in bursts while dual-wielding uzis aiming in opposite directions. Much like the potassium-packed fruit featured in-game, Pedro is best consumed in moderation as part of a healthy gaming diet.īilled as a “violent ballet”, My Friend Pedro delivers on its bold and braggadocio promise of sensational 2D action sequences. Playing My Friend Pedro is like discovering a new favourite song you’ll quickly be drawn in by its cracking tune, but even the catchiest hooks grow wearisome when played ad nauseam.
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My Friend Pedro – A Ballet of Bullets and Bananas Switch, PC
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